Next stop: IMEEF Istanbul
NAFF will participate in IMEEF 2026, taking 3D Instruments to Istanbul’s music industry fair.
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THE LATEST FROM NAFF
Three highlights first. Keep scrolling for the archive, newest to oldest.
NAFF will participate in IMEEF 2026, taking 3D Instruments to Istanbul’s music industry fair.
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NAFF heads to Music Tectonics with 3D DRUMS, bringing spatially reactive performance to the Creator Fair on 27 October.
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NAFF has filed a U.S. patent application relating to event-governed, spatially reactive virtual musical instruments.
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Hans-Martin Buff joins NAFF in Berlin for an episode of Sound Angle about technology, space and musical creation.
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Michael G. Wagner invited Pablo García-Valenzuela to discuss his work, instruments and the ideas behind them.
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NAFF returned to Superbooth Berlin in 2026 with 3D Instruments and its Mini 3D Dome.
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Gert Keunen joins Pablo García-Valenzuela for the fifth episode of Sound Angle, exploring music, sociology and immersive audio.
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Gert Keunen’s book Stereo Was a Nice Try: Creating and Producing Immersive Music includes a mention of NAFF and SPAT CURVE.
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The channel documents 3D Instruments, event appearances and conversations with engineers, producers and researchers. This milestone reflects the audience following NAFF’s work across music and immersive audio.
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Composer and Ariel Award winner Tomás Barreiro joins Sound Angle for a conversation about music across film, concert and immersive formats.
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NAFF presented 3D Instruments at The NAMM Show 2026 as part of the Eleven Dimensions Media team.
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Recording Magazine featured SPAT CURVE, examining its instruments, features and applications in music production.
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Composer and vocalist Simona Smirnova joins NAFF for the third episode of Sound Angle.
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Simona Smirnova and NAFF released Leaving This World, a collaboration with a Dolby Atmos version.
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NAFF met sound engineer Marc Urselli in New York to personally deliver a complimentary SPAT CURVE licence.
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Dr. Luis Nasser joins Sound Angle to explore the connections between music and physics.
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Erik Thompson joins NAFF for a conversation about music, technology and the music industry.
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At Festival Cervantino, ensemble Dúplum joined the DAM composers’ collective for a programme exploring new possibilities for clarinet and percussion.
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NAFF presented and demonstrated SPAT CURVE at CMMAS in Morelia, alongside colleagues from INA grm in Paris.
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Sound On Sound featured SPAT CURVE in a review of NAFF’s approach to three-dimensional virtual instruments.
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Pablo García-Valenzuela presented the first movement of Surrogata at the Colloquium on Spatial Audio, Image and Movement.
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SPAT CURVE became commercially available internationally through Native Instruments.
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NAFF took part in Intersección with a performance, an interview and a presentation of 3D Instruments.
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NAFF returned to Superbooth with SPAT CURVE and a compact speaker dome for hands-on immersive listening.
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Pablo García-Valenzuela performed Surrogata at SAE Institute México’s anniversary celebration, bringing SPAT CURVE instruments into a live ensemble setting.
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NAFF was selected as one of ten startups in Mexico to receive In-Pulso Creativo support — and the only selected startup working in audio and music.
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NAFF inaugurated 3D Instruments at SAE Institute México with a performance of Surrogata and guests of honor Martín Hernández and José Wolffer.
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El 9 de Julio de 2024 se estrenó en Grecia a las 21:00 hrs en el Ionian Academy Main Hall del Sonic Arts Summer Festival 2024. El festival es una colaboración de: Electroacoustic Music Lab [ΕΡΗΜΕΕ] – Department Of Music Studies Ionian University, Corfu - TAMLab, Kunstuniversität, Linz - Anton Bruckner Privatuniversität, Linz - Conservatorio Di Musica Giovan
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NAFF brought SPAT CURVE to Superbooth 2024, inviting visitors to explore 3D Instruments through hands-on demonstrations.
Read story ↗IN THE PRESS
Reviews, interviews and coverage — newest to oldest.
Gert Keunen’s book Stereo Was a Nice Try: Creating and Producing Immersive Music includes a mention of NAFF and SPAT CURVE.
Read story ↗Recording Magazine featured SPAT CURVE, examining its instruments, features and applications in music production.
Read story ↗Sound On Sound featured SPAT CURVE in a review of NAFF’s approach to three-dimensional virtual instruments.
Read story ↗
Three-Dimensional MIDI instruments for Kontakt/NKS using proprietary SIV-15 sampling technique.
MINIMUM REQUIREMENTS
A minimum of 24 GB of RAM is strongly recommended for the use of several instruments at once. A system with 8 GB of RAM
maybe able to play 1-2 instruments.
RAM is more important than the speed of the processor. Older i7 (Mac) processors but with at least 24 GB RAM have been tested using several instruments in one session, presenting no problems.
RECOMMENDED REQUIREMENTS
Mac M2 processor (or PC equivalent) with 64 GB of RAM is strongly recommended.
NKS is a registered trademark of Native Instruments GmbH.
